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Simple text:
The cabin sat beneath the pine trees in patched
moonlight. As the night breeze moved the great
branches in communion above the home, the
patchwork also moved, imbuing the cabin with a
preternatural spirit. Only in the clearing where
the blueberries grew wild was the moonlight
steady, though etched with shadows. There, the
earth and low-lying shrubs sat prominently upon
the edge of the hill in a field that seemed to
bear watch over the lake below. The water of the
lake was at peace despite the breeze that passed
along the hill. Only the glittering flecks of
moonlight upon the surface denoted motion and
life.
Inside the cabin, at a window on the wall
farthest from the blueberry fields and lake, a
hand pushed aside a curtain. The darkness within
the room was more pitch, more pronounced than
the darkness outside. In the room, there was no
moving patchwork of moonlight, no candle,
nothing luminous whatsoever, save the lit end of
a cigarette. The only sound within the room was
the exhalation of breath and smoke, and the dull
tick of a watch splayed upon the wooden
tabletop.
The occupant of the cabin sat motionless,
watching through the window, looking beyond the
thin line of dying trees to the old wooden
fence. The area within four sides of fencing was
barren, except for a gnarled, misshapen tree and
three slabs of stone that protruded from the
earth. Remaining motionless, the man in the
cabin did not break his gaze. He watched the
entire area, but kept his attention, with an
almost mystical focus, upon the site of the
three tombs. And he waited.
© Copyright Tom Occhipinti
2006
Color-coded
text for discussion in Writing 002 --
How to Open Your Story: Part One:
The cabin sat beneath the pine trees in patched
moonlight. As the night breeze moved the great
branches in
communion above the home, the
patchwork also moved, imbuing the cabin with a
preternatural spirit.
Only in
the clearing where the blueberries grew wild
was the
moonlight steady, though etched with
shadows.
There, the earth and low-lying shrubs sat
prominently upon the edge of the hill in a field
that seemed to bear watch over the lake below.
The water of the lake was at peace despite the
breeze
that passed along the hill. Only the
glittering flecks of moonlight upon the
surface denoted
motion
and life.
Inside the cabin, at a window on the wall
farthest from the blueberry fields and lake, a
hand pushed aside a curtain. The
darkness
within the room was more
pitch, more pronounced than the darkness
outside. In the room, there was no moving
patchwork of
moonlight, no candle, nothing luminous
whatsoever, save the lit end of a cigarette. The
only sound within the room was the exhalation of
breath
and
smoke, and the
dull
tick of a watch splayed upon the wooden
tabletop.
The occupant of the cabin sat motionless,
watching through the window, looking beyond the
thin line of
dying
trees to the old wooden fence. The area
within four sides of fencing was
barren,
except for a
gnarled,
misshapen tree and three
slabs of
stone that protruded from the earth.
Remaining motionless, the man in the cabin did
not break his gaze. He watched the entire area,
but kept his attention, with an almost
mystical focus, upon the site of the
three
tombs. And he waited.
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